job worms

sound design

As a sound designer, I craft immersive sonic landscapes through field recording, foley, synthesis, sound manipulation, and music. My work specializes into the experimental, yet I maintain a strong technical foundation that allows me to create more grounded, story-driven soundscapes when needed.

Most recently, I composed the score for the short documentary Vodu and shaped the sound design using both foley and field recordings.

I'm always open to new collaborations and commissions — feel free to get in touch at i@jobworms.com

opya is a sonic and performative project by artists Pauline Mikó and Job Worms. Aiming to strengthen the relationship between plants, nature and human beings, the duo performs live in symbiosis with plants on stage, basing their set on listening and improvisation. Through a system of sensors and electrodes connected to the roots of the plants and the body of Pauline Mikó, the bio-electric exchange set up is transformed into sounds, thanks to modular synthesizers and arduino boards. The sound waves generated by touch are then modulated to produce electronic music, both for the ears of the spectators but also for the plants themselves. Job Worms produces slow beats and plays with the frequencies of his modular synthesizers to accompany the plants and the voice of Pauline Mikó. A dialogue between plants, the body and technology.

Vodu (2024) by Eva van Weeghel
music and sound design

UVA Brandfilm (2023) by Nozem Films
music and sound design

Een Nieuwe Wereld (2023) by Niels Gerson Lohman
music

We Are Public (2020) by Douwe Dijkstra and Jaap Scheeren
sound design and mixing

Calling from the Periphery (2019) by Yeb Wiersma for Kröller Müller Museum
technical production and sound mixing

Haze (2018) by Yeb Wiersma and Lotte Geeven
sound design

Choreography in Steel IV: Exclamations (2015) by Alexis Blake and Yeb Wiersma
sound design and live performance